Shakespeare’s Much Ado About Nothing shows us the poet at the height of his creative powers. His verse had yet to find that deeper timbre we later hear in Macbeth and King Lear. But as Swinburn expresses it, “for absolute power of composition, faultless balance, and blameless rectitude of design, there is no creation of Shakespeare’s that will bear comparisonContinue reading “Measure in Everything and Much Ado About Nothing“